WINDOWS FROM THE SOUTH

A movie about a breakup. The narrative develops through the author’s conversations with his long-time partner, and follows the contemplation of the end of a nine-year romantic relationship. The sound design of the film is constructed using documentary techniques, while animation illustrates the psychological and emotional spaces of these ‘breakup’ conversations. To depict the randomness of subconscious thoughts and emotional states, the author experiments with visuals that incorporate elements of the surreal, making the connections between frames associative. The film reflects on the dual purpose of the artistic endeavor: compressing and archiving a portion of personal history in the medium of film and using it as a form of therapeutic self-exploration and experimentation.